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SRN 2021

Screenwriting Research Network 1st Research Seminar Series Online, 31 August – 17 September 2021
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Category Archive: Feature

Yule – Back to the future: anachronic narratives in Harold Pinter’s screenplays

Eleanor Yule (Liverpool John Moores University, UK) Panel 5 – ADAPTATIONS Friday 3 September (Day 2), Session 1, […]

26 Jul 2021 Adaptations, Autuerism & Authorship, Feature, Literature, Panel 5, Structure, Theatre

Vignati – John Fante, novelist and screenwriter

Rinaldo Vignati (University of Bologna, Italy) Panel 3 – AUTHORSHIP & LABOUR Tuesday 31 August (Day 1), Session […]

26 Jul 2021 Autuerism & Authorship, Feature, Labour, Panel 3, Studios

Tzouflas – One film, multiple storylines in the boundaries of “civilisation”: global mosaic films

Konstantinos Tzouflas (University of Zurich, Switzerland) Panel 11 – CHARACTERS Wednesday 8 September (Day 3), Session 2, 6.30 […]

26 Jul 2021 Characters, Feature, Panel 11, Structure

Steenberg & Coulthard – Scripting action: an analysis of the production of the Hollywood fight scene

Lindsay Steenberg (Oxford Brookes University, UK) Lisa Coulthard (University of British Columbia, Vancouver, Canada) Panel 4 – ART […]

26 Jul 2021 Feature, Genres, Panel 4, Studios, Violence

Sheinbaum – Beatriz Novaro: changing the boundaries of screenwriting in Mexico

Diego Sheinbaum Lerner (Universidad Nacional Autónoma de México, UNAM, Mexico City, Mexico) Panel 19 – THEORIES & PERSPECTIVES […]

26 Jul 2021 Feature, Female writers, Interview, Panel 19, Pedagogy, Theory

Neilan – Unconventional narrative structure in crime cinema

Chris Neilan (Manchester Metropolitan University, UK) Panel 1 – STRUCTURE Tuesday 31 August (Day 1), Session 1, 9 […]

26 Jul 2021 Alternative approaches, Feature, Genres, Panel 1, Structure

McVeigh – Imagining Ida (2014)

Margaret McVeigh (Griffith Film School, Griffith University, Brisbane, Australia) Panel 17 – ALTERNATIVE APPROACHES Friday 17 September (Day […]

26 Jul 2021 Alternative approaches, Development, Feature, Interview, Panel 17

Mathews – ‘What is love?’ Negotiating romance genre conventions in screenwriting practice

Phil Mathews (Bournemouth University, UK) Panel 1 – STRUCTURE Tuesday 31 August (Day 1), Session 1, 9 am […]

26 Jul 2021 Feature, Genres, Panel 1, Structure

Hoffmanova – World of girls in contemporary art cinema for youth in European context

Radka Hoffmanova (Janáček Academy of Music and Performing Arts, Brno, Czechia) Panel 6 – CHILDREN/TEENS/YOUTH Friday 3 September […]

26 Jul 2021 Children, Feature, Female characters, Panel 6

Greens – Kenneth Lonergan’s inside-out approach to screenwriting

Robert Greens (University of Brighton, UK) Panel 18 – PEDAGOGY Friday 17 September (Day 5), Session 1, 9 […]

26 Jul 2021 Alternative approaches, Feature, Panel 18, Pedagogy, Structure

Gonçalo – Gatekeeping and inactive stories: unfilmed scripts in classic Hollywood

Pablo Gonçalo (University of Brasília, Brazil) Panel 8 – ARCHIVES & CENSORSHIP: LOST & FOUND Friday 3 September […]

26 Jul 2021 Archives, Blueprint, Feature, History, Panel 8, Studios

Chiarulli – Camillo and Camillò. A “Double Screenplay” Case in a Post-war French-Italian Coproduction

Raffaele Chiarulli (Università Cattolica del Sacro Cuore, Milan, Italy) Panel 5 – ADAPTATIONS Friday 3 September (Day 2), […]

26 Jul 2021 Adaptations, Feature, Literature, Panel 5, Transnational

Chalkou – Theo Angelopoulos’s Travelling Players (1975): screenwriting as an authorial practice of defying state censorship

Maria Chalkou (Ionian University; Panteion University; Hellenic Open University, Greece) Panel 8 – ARCHIVES & CENSORSHIP: LOST & […]

26 Jul 2021 Archives, Autuerism & Authorship, Censorship, Feature, Panel 8

Carrillo – From national to transnational. Unity in the trilogy by Alejandro G. Iñárritu & Guillermo Arriaga (Amores perros, 21 grams, Babel)

Juan Carlos Carrillo (Universidad Panamericana, Mexico City, Mexico) Panel 4 – ART & VIOLENCE Tuesday 31 August (Day […]

26 Jul 2021 Feature, Panel 4, Structure, Transnational, Violence
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