ADAPTATIONS
Chiarulli – Camillo and Camillò. A “Double Screenplay” Case in a Post-war French-Italian Coproduction
Raffaele Chiarulli (Università Cattolica del Sacro Cuore, Milan, Italy) Panel 5 – …
Chikovani – Modern Greek literature in cinema – film adaptations as study material
Ana Chikovani (Ivane Javakhishvili Tbilisi State University, Georgia) Panel 5 – ADAPTATIONS …
<strong>Gee – Hybrid genres, hybrid practice:</strong> merging folk horror with artificial intelligence
Maxine Gee (Bournemouth University, UK) Panel 10 – GENRES, CREATIVITY & EMOTIONS …
<strong>Kajánková – Pushing boundaries of <strong>TV</strong> adaptation:</strong> queering Hannibal
Lucia Kajánková (FAMU, Prague, Czech Republic) Panel 13 – SERIAL TV DRAMA …
ALTERNATIVE APPROACHES
Greens – Kenneth Lonergan’s inside-out approach to screenwriting
Robert Greens (University of Brighton, UK) Panel 18 – PEDAGOGY Friday 17 …
<strong>Jackson, S. – Average, Rudderless, Dumb. Writing and making films without permission:</strong> a user’s guide
Siobhan Jackson (University of Melbourne, Australia) Panel 17 – ALTERNATIVE APPROACHES Friday …
<strong>Jackson, S. – Average, Rudderless, Dumb. Writing and making films without permission:</strong> a user’s guide
Siobhan Jackson (University of Melbourne, Australia) Panel 17 – ALTERNATIVE APPROACHES Friday …
<strong>John – Scripting without words:</strong> visual language in the pre-production process
Juliet John (La Trobe University, Melbourne, Australia) Panel 17 – ALTERNATIVE APPROACHES …
ANIMATION
<strong>Oltolini – Japanese animation and children’s literature:</strong> the origins of the meisaku genre
Maria Chiara Oltolini (Catholic University, Milan, Italy) Panel 5 – ADAPTATIONS Friday …
ARCHIVES
<strong>Chalkou – Theo Angelopoulos’s Travelling Players <em>(1975)</em>:</strong> screenwriting as an authorial practice of defying state censorship
Maria Chalkou (Ionian University; Panteion University; Hellenic Open University, Greece) Panel 8 …
<strong>Gonçalo – Gatekeeping and inactive stories:</strong> unfilmed scripts in classic Hollywood
Pablo Gonçalo (University of Brasília, Brazil) Panel 8 – ARCHIVES & CENSORSHIP: …
Moulton – ‘Studio Style’ and Staff Screenwriters at Warner Brothers, 1938-1941
Erica Moulton (University of Wisconsin-Madison, USA) Panel 3 – AUTHORSHIP & LABOUR …
<strong>Pereira – Out of sight, out of mind:</strong> A Sereia de Pedra <em>(1922)</em>, the tale of a lost Portuguese film
Ana Sofia Pereira (CIDETH-ISCIA and Universidade Nova de Lisboa, Portugal) Panel 8 …
ARTIFICIAL INTELLIGENCE & MACHINE LEARNING
<strong>Di Crosta – To what extent is <strong>AI</strong> pushing the boundaries of scriptwriting practices?</strong><em> Benjamin’s sci-fi short film screenplays. A case study</em>
Marida Di Crosta (Université Jean Moulin Lyon 3, France) Panel 9 – …
<strong>Gee – Hybrid genres, hybrid practice:</strong> merging folk horror with artificial intelligence
Maxine Gee (Bournemouth University, UK) Panel 10 – GENRES, CREATIVITY & EMOTIONS …
AUTEURISM / AUTHORSHIP
<strong>Cattrysse – The authorial assessment of <em>(screen)</em>writers:</strong> how neuro-science changes everything and nothing
Patrick Cattrysse (Universiteit Antwerpen; Université Libre de Bruxelles, Belgium) Panel 3 – …
<strong>Chalkou – Theo Angelopoulos’s Travelling Players <em>(1975)</em>:</strong> screenwriting as an authorial practice of defying state censorship
Maria Chalkou (Ionian University; Panteion University; Hellenic Open University, Greece) Panel 8 …
<strong>Dauchan – Creating intimacy:</strong> The African American woman’s authorial voice and Impact on writing character in television and film
Desha Dauchan (University of California-Irvine, USA) Panel 7 – CULTURAL IDENTITY Friday …
Phalen – The work of Hollywood television writers in the age of Netflix
Patricia Phalen (The George Washington University, Washington DC, USA) Panel 20 – …
BLACK, AFRICAN & AFRICAN AMERICAN
<strong>Dauchan – Creating intimacy:</strong> The African American woman’s authorial voice and Impact on writing character in television and film
Desha Dauchan (University of California-Irvine, USA) Panel 7 – CULTURAL IDENTITY Friday …
Hlobo & Skosana – The evolving depictions of black South Africans in post-Apartheid screenwriting tradition. Does our reality influence how we tell stories or do the stories influence how we see reality?
Ziphozakhe Hlobo (writer, editor and dramaturge, South Africa) Mpumelelo Skosana (University of …
Piotrowska – Neria – the first feminist black movie in Southern Africa or an example of opportunistic neo-colonial venture?
Agnieszka Piotrowska (University for the Creative Arts, Farnham, UK) Panel 12 – …
BLUEPRINT (screenplay as)
<strong>Gonçalo – Gatekeeping and inactive stories:</strong> unfilmed scripts in classic Hollywood
Pablo Gonçalo (University of Brasília, Brazil) Panel 8 – ARCHIVES & CENSORSHIP: …
<strong>Igelström – Focalisations in screenplay texts:</strong> to make the reader see beyond the text
Ann Igelström (independent researcher, Sweden/UK) Panel 19 – THEORIES & PERSPECTIVES Friday …
<strong>John – Scripting without words:</strong> visual language in the pre-production process
Juliet John (La Trobe University, Melbourne, Australia) Panel 17 – ALTERNATIVE APPROACHES …
<strong>Tremblay – The experience of reading screenplays as a scenaristic practice:</strong> pushing the boundaries of screenwriting studies
Gabrielle Tremblay (Université du Quebec, Montréal, Canada) Panel 15 – DEVELOPMENT/CREATIVE PROCESS …
CENSORSHIP
<strong>Chalkou – Theo Angelopoulos’s Travelling Players <em>(1975)</em>:</strong> screenwriting as an authorial practice of defying state censorship
Maria Chalkou (Ionian University; Panteion University; Hellenic Open University, Greece) Panel 8 …
<strong>Petsini – “Down with censorship”?</strong><em> The pretext of “appeasing political passions” as a censorial practice in post-dictatorship Greece <em>(1974-1981)</em></em>
Penelope Petsini (Panteion University, Athens, Greece) Panel 8 – ARCHIVES & CENSORSHIP: …
CHARACTERS
<strong>Robles – Playwriting-like dialogue:</strong><em> a boundary for character complexity in drama series?</em>
Brenda Robles (Aalto University, Helsinki, Finland) Panel 11 – CHARACTERS Wednesday 8 …
Schwarz – Let’s talk about art. Deciphering the symbolic and cultural capital in Woody Allen’s screenplays
Stephanie Schwarz (University of Vienna, Austria) Panel 4 – ART & VIOLENCE …
<strong>Tzouflas – One film, multiple storylines in the boundaries of “civilisation”:</strong> global mosaic films
Konstantinos Tzouflas (University of Zurich, Switzerland) Panel 11 – CHARACTERS Wednesday 8 …
Zágoni – Dynamic Character Traits <em>(<strong>DCT</strong>)</em>. Pushing further the boundaries of character design
Balázs Zágoni (Babes-Bolyai University, Cluj, Romania) Panel 11 – CHARACTERS Wednesday 8 …
CHILDREN, TEENS & YOUTH
<strong>Bermejo – Alternative forms of storytelling and its pedagogical application in children and teenagers:</strong> young people as creators
Laura Bermejo (Universidad Complutense de Madrid) Panel 6 – CHILDREN/TEENS/YOUTH Friday 3 …
Hoffmanova – World of girls in contemporary art cinema for youth in European context
Radka Hoffmanova (Janáček Academy of Music and Performing Arts, Brno, Czechia) Panel …
<strong>Miranda – Pushing boundaries:</strong> the case study of the development of short movies that reframed the participation of young students in a Brazilian youth orchestra
Clarissa Mazon Miranda (Antonio Meneghetti Faculdade, Brazil) Panel 16 – MUSIC Monday …
<strong>Oltolini – Japanese animation and children’s literature:</strong> the origins of the meisaku genre
Maria Chiara Oltolini (Catholic University, Milan, Italy) Panel 5 – ADAPTATIONS Friday …
CULTURAL IDENTITY
Davies, R. & Oyebanjo – Group identity formation and how it affects the development of the screen idea
Rosamund Davies (University of Greenwich, London, UK) Funke Oyebanjo (University of Greenwich, …
Ferrell & Humphreys – Inserting Minority characters into a Majority World. Conversations between a screenwriter and script reader as they rewrite a colonial world
Rose Ferrell (Western Australian Academy of Performing Arts, Edith Cowan University, Perth, …
Hlobo & Skosana – The evolving depictions of black South Africans in post-Apartheid screenwriting tradition. Does our reality influence how we tell stories or do the stories influence how we see reality?
Ziphozakhe Hlobo (writer, editor and dramaturge, South Africa) Mpumelelo Skosana (University of …
Matar – Obstacles for the worldwide distribution of Arab <strong>TV</strong> Narratives to the rest of the world
Motaz H. Matar (Zayed University, Abu Dhabi, United Arab Emirates) Panel 13 …
DEVELOPMENT, PREPRODUCTION & CREATIVE PROCESS
Davies, R. & Oyebanjo – Group identity formation and how it affects the development of the screen idea
Rosamund Davies (University of Greenwich, London, UK) Funke Oyebanjo (University of Greenwich, …
<strong>John – Scripting without words:</strong> visual language in the pre-production process
Juliet John (La Trobe University, Melbourne, Australia) Panel 17 – ALTERNATIVE APPROACHES …
<strong>Leaney & Pelican – Universally appealing themes and characters as a means to overcome political and cultural boundaries?</strong><em> A case study of the opportunities, benefits and barriers of writing for the Chinese market</em>
Alexandra Leaney (University of East Anglia, UK) Kira-Anne Pelican (writer and independent …
Lehti – Experimenting with the virtual writers’ room and the democratic diamond
Timo Lehti (Aalto University, Helsinki, Finland) Panel 18 – PEDAGOGY Friday 17 …
DIALOGUE & AUDIO DESCRIPTION
<strong>Goodwin – The ethics of Audio Description:</strong><em> whose team are we on?</em>
Polly Ellen Goodwin (Audio Describer, Melbourne, Australia) Panel 14 – TV & …
<strong>Robles – Playwriting-like dialogue:</strong><em> a boundary for character complexity in drama series?</em>
Brenda Robles (Aalto University, Helsinki, Finland) Panel 11 – CHARACTERS Wednesday 8 …
DOCUMENTARY
<strong>Dooley – Creating Impact:</strong> Scripting an immersive 360-degree documentary
Kath Dooley (Curtin University, Perth, Australia) Panel 2 – TECH 1 (VR, …
James Shelton
Chairing: PANEL 20… INTERVIEW-BASED RESEARCH Friday 17 September (Day 7), Session 2, …
Piotrowska – Neria – the first feminist black movie in Southern Africa or an example of opportunistic neo-colonial venture?
Agnieszka Piotrowska (University for the Creative Arts, Farnham, UK) Panel 12 – …
Soudhamini – An inner frontier. Screenwriting for Virtual Reality
Soudhamini (Deakin University, Melbourne, Australia) Panel 9 – TECH 2 (VR, IMMERSIVE, …
EMPATHY
<strong>Cotta Ramosino – Succession:</strong> Pushing the boundaries of family drama
Laura Cotta Ramosino (Catholic University, Milan, Italy) Luisa Cotta Ramosino (Catholic University, …
<strong>Klika – Comic characters with personality disorders:</strong><em> has their time arrived?</em>
Deborah T. Klika (Middlesex University, London, UK) Panel 14 – TV & …
ETHICS
<strong>Cotta Ramosino – Succession:</strong> Pushing the boundaries of family drama
Laura Cotta Ramosino (Catholic University, Milan, Italy) Luisa Cotta Ramosino (Catholic University, …
Ferrell & Humphreys – Inserting Minority characters into a Majority World. Conversations between a screenwriter and script reader as they rewrite a colonial world
Rose Ferrell (Western Australian Academy of Performing Arts, Edith Cowan University, Perth, …
<strong>Goodwin – The ethics of Audio Description:</strong><em> whose team are we on?</em>
Polly Ellen Goodwin (Audio Describer, Melbourne, Australia) Panel 14 – TV & …
<strong>Klika – Comic characters with personality disorders:</strong><em> has their time arrived?</em>
Deborah T. Klika (Middlesex University, London, UK) Panel 14 – TV & …
FEMALE CHARACTERS
Barley – Writing challenging and boundary breaking female characters for British television drama series
Diane Barley (Leeds Beckett University) Panel 12 – FEMALE CHARACTERS Wednesday 8 …
<strong>Dauchan – Creating intimacy:</strong> The African American woman’s authorial voice and Impact on writing character in television and film
Desha Dauchan (University of California-Irvine, USA) Panel 7 – CULTURAL IDENTITY Friday …
Hoffmanova – World of girls in contemporary art cinema for youth in European context
Radka Hoffmanova (Janáček Academy of Music and Performing Arts, Brno, Czechia) Panel …
Piotrowska – Neria – the first feminist black movie in Southern Africa or an example of opportunistic neo-colonial venture?
Agnieszka Piotrowska (University for the Creative Arts, Farnham, UK) Panel 12 – …
FEMALE WRITERS
<strong>Dauchan – Creating intimacy:</strong> The African American woman’s authorial voice and Impact on writing character in television and film
Desha Dauchan (University of California-Irvine, USA) Panel 7 – CULTURAL IDENTITY Friday …
<strong>Pereira – Out of sight, out of mind:</strong> A Sereia de Pedra <em>(1922)</em>, the tale of a lost Portuguese film
Ana Sofia Pereira (CIDETH-ISCIA and Universidade Nova de Lisboa, Portugal) Panel 8 …
Piotrowska – Neria – the first feminist black movie in Southern Africa or an example of opportunistic neo-colonial venture?
Agnieszka Piotrowska (University for the Creative Arts, Farnham, UK) Panel 12 – …
<strong>Sheinbaum – Beatriz Novaro:</strong> changing the boundaries of screenwriting in Mexico
Diego Sheinbaum Lerner (Universidad Nacional Autónoma de México, UNAM, Mexico City, Mexico) …
FEMINISM
Piotrowska – Neria – the first feminist black movie in Southern Africa or an example of opportunistic neo-colonial venture?
Agnieszka Piotrowska (University for the Creative Arts, Farnham, UK) Panel 12 – …
<strong>Talvio – Insignificant topic:</strong> women’s stories
Raija Talvio (Aalto University, Helsinki, Finland) Panel 20 – INTERVIEW-BASED RESEARCH Friday …
Welch – The difficulties and delicacies of writing for the first female Doctor in 50+ years
Rosanne Welch (Stephens College, USA) Panel 15 – DEVELOPMENT/CREATIVE PROCESS Monday 13 …
GAMES
GENRES
<strong>Di Crosta – To what extent is <strong>AI</strong> pushing the boundaries of scriptwriting practices?</strong><em> Benjamin’s sci-fi short film screenplays. A case study</em>
Marida Di Crosta (Université Jean Moulin Lyon 3, France) Panel 9 – …
<strong>Gee – Hybrid genres, hybrid practice:</strong> merging folk horror with artificial intelligence
Maxine Gee (Bournemouth University, UK) Panel 10 – GENRES, CREATIVITY & EMOTIONS …
<strong>Klika – Comic characters with personality disorders:</strong><em> has their time arrived?</em>
Deborah T. Klika (Middlesex University, London, UK) Panel 14 – TV & …
<strong>Mathews – ‘What is love?</strong><em>’ Negotiating romance genre conventions in screenwriting practice</em>
Phil Mathews (Bournemouth University, UK) Panel 1 – STRUCTURE Tuesday 31 August …
HISTORY
<strong>Gonçalo – Gatekeeping and inactive stories:</strong> unfilmed scripts in classic Hollywood
Pablo Gonçalo (University of Brasília, Brazil) Panel 8 – ARCHIVES & CENSORSHIP: …
<strong>Pereira – Out of sight, out of mind:</strong> A Sereia de Pedra <em>(1922)</em>, the tale of a lost Portuguese film
Ana Sofia Pereira (CIDETH-ISCIA and Universidade Nova de Lisboa, Portugal) Panel 8 …
<strong>Petsini – “Down with censorship”?</strong><em> The pretext of “appeasing political passions” as a censorial practice in post-dictatorship Greece <em>(1974-1981)</em></em>
Penelope Petsini (Panteion University, Athens, Greece) Panel 8 – ARCHIVES & CENSORSHIP: …
<strong>Tieber – Writing with music. Musical writing:</strong> intermediality and self-reflexivity in the screenplays of Walter Reisch
Claus Tieber (University of Vienna, Austria) Panel 16 – MUSIC Monday 13 …
INDIE & MICRO
<strong>Jackson, S. – Average, Rudderless, Dumb. Writing and making films without permission:</strong> a user’s guide
Siobhan Jackson (University of Melbourne, Australia) Panel 17 – ALTERNATIVE APPROACHES Friday …
<strong>Jackson, S. – Average, Rudderless, Dumb. Writing and making films without permission:</strong> a user’s guide
Siobhan Jackson (University of Melbourne, Australia) Panel 17 – ALTERNATIVE APPROACHES Friday …
James Shelton
Chairing: PANEL 20… INTERVIEW-BASED RESEARCH Friday 17 September (Day 7), Session 2, …
<strong>Zoldnere – Cinematic references:</strong> from French New Wave to artistic research of older people in film
Astra Zoldnere (Film University Babelsberg Konrad Wolf, Germany) Panel 20 – INTERVIEW-BASED …
INTERMEDIALITY
<strong>Tremblay – The experience of reading screenplays as a scenaristic practice:</strong> pushing the boundaries of screenwriting studies
Gabrielle Tremblay (Université du Quebec, Montréal, Canada) Panel 15 – DEVELOPMENT/CREATIVE PROCESS …
INTERVIEW-BASED
Davies, R. & Oyebanjo – Group identity formation and how it affects the development of the screen idea
Rosamund Davies (University of Greenwich, London, UK) Funke Oyebanjo (University of Greenwich, …
Ferrell & Humphreys – Inserting Minority characters into a Majority World. Conversations between a screenwriter and script reader as they rewrite a colonial world
Rose Ferrell (Western Australian Academy of Performing Arts, Edith Cowan University, Perth, …
McVeigh – Imagining Ida <em>(2014)</em>
Margaret McVeigh (Griffith Film School, Griffith University, Brisbane, Australia) Panel 17 – …
<strong>Miranda – Pushing boundaries:</strong> the case study of the development of short movies that reframed the participation of young students in a Brazilian youth orchestra
Clarissa Mazon Miranda (Antonio Meneghetti Faculdade, Brazil) Panel 16 – MUSIC Monday …
LABOUR
Moulton – ‘Studio Style’ and Staff Screenwriters at Warner Brothers, 1938-1941
Erica Moulton (University of Wisconsin-Madison, USA) Panel 3 – AUTHORSHIP & LABOUR …
Phalen – The work of Hollywood television writers in the age of Netflix
Patricia Phalen (The George Washington University, Washington DC, USA) Panel 20 – …
Vignati – John Fante, novelist and screenwriter
Rinaldo Vignati (University of Bologna, Italy) Panel 3 – AUTHORSHIP & LABOUR …
<strong>Weinstein – Overlapping boundaries:</strong> balancing the interests of multiple partners in screenplay development
Anna Weinstein (Kennesaw State University, USA) Panel 20 – INTERVIEW-BASED RESEARCH Friday …
MUSIC
<strong>Miranda – Pushing boundaries:</strong> the case study of the development of short movies that reframed the participation of young students in a Brazilian youth orchestra
Clarissa Mazon Miranda (Antonio Meneghetti Faculdade, Brazil) Panel 16 – MUSIC Monday …
<strong>Schepp – Cinematic counterpoint:</strong> what screenwriters can learn from composers
Lukas Schepp (Ludwig Maximilian University, Munich, Germany) Panel 16 – MUSIC Monday …
<strong>Tieber – Writing with music. Musical writing:</strong> intermediality and self-reflexivity in the screenplays of Walter Reisch
Claus Tieber (University of Vienna, Austria) Panel 16 – MUSIC Monday 13 …
NEUROSCIENCE
<strong>Cattrysse – The authorial assessment of <em>(screen)</em>writers:</strong> how neuro-science changes everything and nothing
Patrick Cattrysse (Universiteit Antwerpen; Université Libre de Bruxelles, Belgium) Panel 3 – …
PEDAGOGY
<strong>Bermejo – Alternative forms of storytelling and its pedagogical application in children and teenagers:</strong> young people as creators
Laura Bermejo (Universidad Complutense de Madrid) Panel 6 – CHILDREN/TEENS/YOUTH Friday 3 …
Chikovani – Modern Greek literature in cinema – film adaptations as study material
Ana Chikovani (Ivane Javakhishvili Tbilisi State University, Georgia) Panel 5 – ADAPTATIONS …
Davies, R. & Oyebanjo – Group identity formation and how it affects the development of the screen idea
Rosamund Davies (University of Greenwich, London, UK) Funke Oyebanjo (University of Greenwich, …
Greens – Kenneth Lonergan’s inside-out approach to screenwriting
Robert Greens (University of Brighton, UK) Panel 18 – PEDAGOGY Friday 17 …
PERSONALITY DISORDERS
<strong>Klika – Comic characters with personality disorders:</strong><em> has their time arrived?</em>
Deborah T. Klika (Middlesex University, London, UK) Panel 14 – TV & …
PRACTICE-LED
<strong>Gee – Hybrid genres, hybrid practice:</strong> merging folk horror with artificial intelligence
Maxine Gee (Bournemouth University, UK) Panel 10 – GENRES, CREATIVITY & EMOTIONS …
<strong>Leaney & Pelican – Universally appealing themes and characters as a means to overcome political and cultural boundaries?</strong><em> A case study of the opportunities, benefits and barriers of writing for the Chinese market</em>
Alexandra Leaney (University of East Anglia, UK) Kira-Anne Pelican (writer and independent …
Manninen – How to use viewer data to develop a second season of a drama series?
Katri Johanna Manninen (Aalto University, Helsinki, Finland) Panel 15 – DEVELOPMENT/CREATIVE PROCESS …
<strong>Zoldnere – Cinematic references:</strong> from French New Wave to artistic research of older people in film
Astra Zoldnere (Film University Babelsberg Konrad Wolf, Germany) Panel 20 – INTERVIEW-BASED …
QUEER
<strong>Kajánková – Pushing boundaries of <strong>TV</strong> adaptation:</strong> queering Hannibal
Lucia Kajánková (FAMU, Prague, Czech Republic) Panel 13 – SERIAL TV DRAMA …
SHORT FILMS
<strong>Di Crosta – To what extent is <strong>AI</strong> pushing the boundaries of scriptwriting practices?</strong><em> Benjamin’s sci-fi short film screenplays. A case study</em>
Marida Di Crosta (Université Jean Moulin Lyon 3, France) Panel 9 – …
<strong>Miranda – Pushing boundaries:</strong> the case study of the development of short movies that reframed the participation of young students in a Brazilian youth orchestra
Clarissa Mazon Miranda (Antonio Meneghetti Faculdade, Brazil) Panel 16 – MUSIC Monday …
Vrancken – Theory as a dramaturgical tool for screenwriting
Jasper Vrancken (LUCA School of Arts, Genk, Belgium) Panel 19 – THEORIES …
SPECTATORSHIP
<strong>Alves, Rubio Tamayo & Durán Fonseca – Screenwriting and Virtual Reality:</strong> renewing concepts and methodologies on narrative and spectatorship
Pedro Alves (Universidade Católica Portuguesa, Porto, Portugal) Jose Luis Rubio Tamayo (Universidad …
Manninen – How to use viewer data to develop a second season of a drama series?
Katri Johanna Manninen (Aalto University, Helsinki, Finland) Panel 15 – DEVELOPMENT/CREATIVE PROCESS …
<strong>Renn-Giles – Film characters’ values and audience engagement:</strong> an empirical investigation
Danica Renn-Giles (Royal Holloway University of London, UK) Panel 12 – FEMALE …
STRUCTURE & PARADIGMS
Carrillo – From national to transnational. Unity in the trilogy by Alejandro G. Iñárritu & Guillermo Arriaga <em>(Amores perros, 21 grams, Babel)</em>
Juan Carlos Carrillo (Universidad Panamericana, Mexico City, Mexico) Panel 4 – ART …
<strong>Davies, B. – The hero’s journey in the ‘perfect’ ensemble screenplay:</strong> The Big Chill as case study
Brett Davies (Meiji University, Tokyo, Japan) Panel 1 – STRUCTURE Tuesday 31 …
Greens – Kenneth Lonergan’s inside-out approach to screenwriting
Robert Greens (University of Brighton, UK) Panel 18 – PEDAGOGY Friday 17 …
<strong>Mathews – ‘What is love?</strong><em>’ Negotiating romance genre conventions in screenwriting practice</em>
Phil Mathews (Bournemouth University, UK) Panel 1 – STRUCTURE Tuesday 31 August …
STUDIOS & HOLLYWOOD
<strong>Gonçalo – Gatekeeping and inactive stories:</strong> unfilmed scripts in classic Hollywood
Pablo Gonçalo (University of Brasília, Brazil) Panel 8 – ARCHIVES & CENSORSHIP: …
Moulton – ‘Studio Style’ and Staff Screenwriters at Warner Brothers, 1938-1941
Erica Moulton (University of Wisconsin-Madison, USA) Panel 3 – AUTHORSHIP & LABOUR …
<strong>Steenberg & Coulthard – Scripting action:</strong> an analysis of the production of the Hollywood fight scene
Lindsay Steenberg (Oxford Brookes University, UK) Lisa Coulthard (University of British Columbia, …
Vignati – John Fante, novelist and screenwriter
Rinaldo Vignati (University of Bologna, Italy) Panel 3 – AUTHORSHIP & LABOUR …
SVOD
<strong>Ianniello & Batty – Serial offenders?</strong><em> Defining the boundaries of series and serial television for screenwriting practice and theory</em>
Marco Ianniello (University of Notre Dame, Sydney, Australia) Craig Batty (University of …
Manninen – How to use viewer data to develop a second season of a drama series?
Katri Johanna Manninen (Aalto University, Helsinki, Finland) Panel 15 – DEVELOPMENT/CREATIVE PROCESS …
Phalen – The work of Hollywood television writers in the age of Netflix
Patricia Phalen (The George Washington University, Washington DC, USA) Panel 20 – …
THEORY
<strong>Bermejo – Alternative forms of storytelling and its pedagogical application in children and teenagers:</strong> young people as creators
Laura Bermejo (Universidad Complutense de Madrid) Panel 6 – CHILDREN/TEENS/YOUTH Friday 3 …
<strong>Cattrysse – The authorial assessment of <em>(screen)</em>writers:</strong> how neuro-science changes everything and nothing
Patrick Cattrysse (Universiteit Antwerpen; Université Libre de Bruxelles, Belgium) Panel 3 – …
<strong>Cruz – Sound, image, space & time:</strong> pushing boundaries
Nélia Cruz (University of Lisbon, Portugal) Panel 19 – THEORIES & PERSPECTIVES …
<strong>Igelström – Focalisations in screenplay texts:</strong> to make the reader see beyond the text
Ann Igelström (independent researcher, Sweden/UK) Panel 19 – THEORIES & PERSPECTIVES Friday …
TRANSMEDIA
<strong>Bermejo – Alternative forms of storytelling and its pedagogical application in children and teenagers:</strong> young people as creators
Laura Bermejo (Universidad Complutense de Madrid) Panel 6 – CHILDREN/TEENS/YOUTH Friday 3 …
TRANSNATIONAL
Carrillo – From national to transnational. Unity in the trilogy by Alejandro G. Iñárritu & Guillermo Arriaga <em>(Amores perros, 21 grams, Babel)</em>
Juan Carlos Carrillo (Universidad Panamericana, Mexico City, Mexico) Panel 4 – ART …
Chiarulli – Camillo and Camillò. A “Double Screenplay” Case in a Post-war French-Italian Coproduction
Raffaele Chiarulli (Università Cattolica del Sacro Cuore, Milan, Italy) Panel 5 – …
<strong>Leaney & Pelican – Universally appealing themes and characters as a means to overcome political and cultural boundaries?</strong><em> A case study of the opportunities, benefits and barriers of writing for the Chinese market</em>
Alexandra Leaney (University of East Anglia, UK) Kira-Anne Pelican (writer and independent …
Matar – Obstacles for the worldwide distribution of Arab <strong>TV</strong> Narratives to the rest of the world
Motaz H. Matar (Zayed University, Abu Dhabi, United Arab Emirates) Panel 13 …
TV SERIES
Barley – Writing challenging and boundary breaking female characters for British television drama series
Diane Barley (Leeds Beckett University) Panel 12 – FEMALE CHARACTERS Wednesday 8 …
<strong>Cotta Ramosino – Succession:</strong> Pushing the boundaries of family drama
Laura Cotta Ramosino (Catholic University, Milan, Italy) Luisa Cotta Ramosino (Catholic University, …
Hlobo & Skosana – The evolving depictions of black South Africans in post-Apartheid screenwriting tradition. Does our reality influence how we tell stories or do the stories influence how we see reality?
Ziphozakhe Hlobo (writer, editor and dramaturge, South Africa) Mpumelelo Skosana (University of …
<strong>Ianniello & Batty – Serial offenders?</strong><em> Defining the boundaries of series and serial television for screenwriting practice and theory</em>
Marco Ianniello (University of Notre Dame, Sydney, Australia) Craig Batty (University of …
VIOLENCE
Carrillo – From national to transnational. Unity in the trilogy by Alejandro G. Iñárritu & Guillermo Arriaga <em>(Amores perros, 21 grams, Babel)</em>
Juan Carlos Carrillo (Universidad Panamericana, Mexico City, Mexico) Panel 4 – ART …
Schwarz – Let’s talk about art. Deciphering the symbolic and cultural capital in Woody Allen’s screenplays
Stephanie Schwarz (University of Vienna, Austria) Panel 4 – ART & VIOLENCE …
<strong>Steenberg & Coulthard – Scripting action:</strong> an analysis of the production of the Hollywood fight scene
Lindsay Steenberg (Oxford Brookes University, UK) Lisa Coulthard (University of British Columbia, …
VISUAL SCRIPTING
<strong>John – Scripting without words:</strong> visual language in the pre-production process
Juliet John (La Trobe University, Melbourne, Australia) Panel 17 – ALTERNATIVE APPROACHES …
VR & IMMERSIVE
<strong>Alves, Rubio Tamayo & Durán Fonseca – Screenwriting and Virtual Reality:</strong> renewing concepts and methodologies on narrative and spectatorship
Pedro Alves (Universidade Católica Portuguesa, Porto, Portugal) Jose Luis Rubio Tamayo (Universidad …
<strong>Dooley – Creating Impact:</strong> Scripting an immersive 360-degree documentary
Kath Dooley (Curtin University, Perth, Australia) Panel 2 – TECH 1 (VR, …
<strong>Leal – Narrating possibilities:</strong> the poetics of the interactive script
Rafael Leal (Pontifical Catholic University of Rio de Janeiro, Brazil) Panel 9 …
<strong>Nelson-Tabor – Storyframing:</strong> finding the holy grail of a formalised narrative language as a framework that can finally utilise <strong>VR</strong> technology
Jodi Nelson-Tabor (University of Greenwich, London, UK) Panel 2 – TECH 1 …