ANIMATION
<strong>Oltolini – Japanese animation and children’s literature:</strong> the origins of the meisaku genre
Maria Chiara Oltolini (Catholic University, Milan, Italy) Panel 5 – ADAPTATIONS Friday …
ARTIFICIAL INTELLIGENCE & MACHINE LEARNING
<strong>Di Crosta – To what extent is <strong>AI</strong> pushing the boundaries of scriptwriting practices?</strong><em> Benjamin’s sci-fi short film screenplays. A case study</em>
Marida Di Crosta (Université Jean Moulin Lyon 3, France) Panel 9 – …
<strong>Gee – Hybrid genres, hybrid practice:</strong> merging folk horror with artificial intelligence
Maxine Gee (Bournemouth University, UK) Panel 10 – GENRES, CREATIVITY & EMOTIONS …
DOCUMENTARY
<strong>Dooley – Creating Impact:</strong> Scripting an immersive 360-degree documentary
Kath Dooley (Curtin University, Perth, Australia) Panel 2 – TECH 1 (VR, …
James Shelton
Chairing: PANEL 20… INTERVIEW-BASED RESEARCH Friday 17 September (Day 7), Session 2, …
Piotrowska – Neria – the first feminist black movie in Southern Africa or an example of opportunistic neo-colonial venture?
Agnieszka Piotrowska (University for the Creative Arts, Farnham, UK) Panel 12 – …
Soudhamini – An inner frontier. Screenwriting for Virtual Reality
Soudhamini (Deakin University, Melbourne, Australia) Panel 9 – TECH 2 (VR, IMMERSIVE, …
FEATURE FILM
Carrillo – From national to transnational. Unity in the trilogy by Alejandro G. Iñárritu & Guillermo Arriaga <em>(Amores perros, 21 grams, Babel)</em>
Juan Carlos Carrillo (Universidad Panamericana, Mexico City, Mexico) Panel 4 – ART …
<strong>Chalkou – Theo Angelopoulos’s Travelling Players <em>(1975)</em>:</strong> screenwriting as an authorial practice of defying state censorship
Maria Chalkou (Ionian University; Panteion University; Hellenic Open University, Greece) Panel 8 …
Chiarulli – Camillo and Camillò. A “Double Screenplay” Case in a Post-war French-Italian Coproduction
Raffaele Chiarulli (Università Cattolica del Sacro Cuore, Milan, Italy) Panel 5 – …
<strong>Gonçalo – Gatekeeping and inactive stories:</strong> unfilmed scripts in classic Hollywood
Pablo Gonçalo (University of Brasília, Brazil) Panel 8 – ARCHIVES & CENSORSHIP: …
Greens – Kenneth Lonergan’s inside-out approach to screenwriting
Robert Greens (University of Brighton, UK) Panel 18 – PEDAGOGY Friday 17 …
Hoffmanova – World of girls in contemporary art cinema for youth in European context
Radka Hoffmanova (Janáček Academy of Music and Performing Arts, Brno, Czechia) Panel …
<strong>Mathews – ‘What is love?</strong><em>’ Negotiating romance genre conventions in screenwriting practice</em>
Phil Mathews (Bournemouth University, UK) Panel 1 – STRUCTURE Tuesday 31 August …
McVeigh – Imagining Ida <em>(2014)</em>
Margaret McVeigh (Griffith Film School, Griffith University, Brisbane, Australia) Panel 17 – …
Neilan – Unconventional narrative structure in crime cinema
Chris Neilan (Manchester Metropolitan University, UK) Panel 1 – STRUCTURE Tuesday 31 …
<strong>Sheinbaum – Beatriz Novaro:</strong> changing the boundaries of screenwriting in Mexico
Diego Sheinbaum Lerner (Universidad Nacional Autónoma de México, UNAM, Mexico City, Mexico) …
<strong>Steenberg & Coulthard – Scripting action:</strong> an analysis of the production of the Hollywood fight scene
Lindsay Steenberg (Oxford Brookes University, UK) Lisa Coulthard (University of British Columbia, …
<strong>Tzouflas – One film, multiple storylines in the boundaries of “civilisation”:</strong> global mosaic films
Konstantinos Tzouflas (University of Zurich, Switzerland) Panel 11 – CHARACTERS Wednesday 8 …
Vignati – John Fante, novelist and screenwriter
Rinaldo Vignati (University of Bologna, Italy) Panel 3 – AUTHORSHIP & LABOUR …
<strong>Yule – Back to the future:</strong> anachronic narratives in Harold Pinter’s screenplays
Eleanor Yule (Liverpool John Moores University, UK) Panel 5 – ADAPTATIONS Friday …
FEATURE FILM (cont’d)
Chikovani – Modern Greek literature in cinema – film adaptations as study material
Ana Chikovani (Ivane Javakhishvili Tbilisi State University, Georgia) Panel 5 – ADAPTATIONS …
<strong>Dauchan – Creating intimacy:</strong> The African American woman’s authorial voice and Impact on writing character in television and film
Desha Dauchan (University of California-Irvine, USA) Panel 7 – CULTURAL IDENTITY Friday …
<strong>Jackson, S. – Average, Rudderless, Dumb. Writing and making films without permission:</strong> a user’s guide
Siobhan Jackson (University of Melbourne, Australia) Panel 17 – ALTERNATIVE APPROACHES Friday …
<strong>Jackson, S. – Average, Rudderless, Dumb. Writing and making films without permission:</strong> a user’s guide
Siobhan Jackson (University of Melbourne, Australia) Panel 17 – ALTERNATIVE APPROACHES Friday …
Moulton – ‘Studio Style’ and Staff Screenwriters at Warner Brothers, 1938-1941
Erica Moulton (University of Wisconsin-Madison, USA) Panel 3 – AUTHORSHIP & LABOUR …
Piotrowska – Neria – the first feminist black movie in Southern Africa or an example of opportunistic neo-colonial venture?
Agnieszka Piotrowska (University for the Creative Arts, Farnham, UK) Panel 12 – …
Schwarz – Let’s talk about art. Deciphering the symbolic and cultural capital in Woody Allen’s screenplays
Stephanie Schwarz (University of Vienna, Austria) Panel 4 – ART & VIOLENCE …
<strong>Tieber – Writing with music. Musical writing:</strong> intermediality and self-reflexivity in the screenplays of Walter Reisch
Claus Tieber (University of Vienna, Austria) Panel 16 – MUSIC Monday 13 …
<strong>Zoldnere – Cinematic references:</strong> from French New Wave to artistic research of older people in film
Astra Zoldnere (Film University Babelsberg Konrad Wolf, Germany) Panel 20 – INTERVIEW-BASED …
GAMES
LITERATURE
Chiarulli – Camillo and Camillò. A “Double Screenplay” Case in a Post-war French-Italian Coproduction
Raffaele Chiarulli (Università Cattolica del Sacro Cuore, Milan, Italy) Panel 5 – …
Chikovani – Modern Greek literature in cinema – film adaptations as study material
Ana Chikovani (Ivane Javakhishvili Tbilisi State University, Georgia) Panel 5 – ADAPTATIONS …
<strong>Gee – Hybrid genres, hybrid practice:</strong> merging folk horror with artificial intelligence
Maxine Gee (Bournemouth University, UK) Panel 10 – GENRES, CREATIVITY & EMOTIONS …
<strong>Yule – Back to the future:</strong> anachronic narratives in Harold Pinter’s screenplays
Eleanor Yule (Liverpool John Moores University, UK) Panel 5 – ADAPTATIONS Friday …
MUSIC
<strong>Miranda – Pushing boundaries:</strong> the case study of the development of short movies that reframed the participation of young students in a Brazilian youth orchestra
Clarissa Mazon Miranda (Antonio Meneghetti Faculdade, Brazil) Panel 16 – MUSIC Monday …
<strong>Schepp – Cinematic counterpoint:</strong> what screenwriters can learn from composers
Lukas Schepp (Ludwig Maximilian University, Munich, Germany) Panel 16 – MUSIC Monday …
<strong>Tieber – Writing with music. Musical writing:</strong> intermediality and self-reflexivity in the screenplays of Walter Reisch
Claus Tieber (University of Vienna, Austria) Panel 16 – MUSIC Monday 13 …
SHORT FILMS
<strong>Di Crosta – To what extent is <strong>AI</strong> pushing the boundaries of scriptwriting practices?</strong><em> Benjamin’s sci-fi short film screenplays. A case study</em>
Marida Di Crosta (Université Jean Moulin Lyon 3, France) Panel 9 – …
<strong>Miranda – Pushing boundaries:</strong> the case study of the development of short movies that reframed the participation of young students in a Brazilian youth orchestra
Clarissa Mazon Miranda (Antonio Meneghetti Faculdade, Brazil) Panel 16 – MUSIC Monday …
Vrancken – Theory as a dramaturgical tool for screenwriting
Jasper Vrancken (LUCA School of Arts, Genk, Belgium) Panel 19 – THEORIES …
SILENT CINEMA
<strong>Pereira – Out of sight, out of mind:</strong> A Sereia de Pedra <em>(1922)</em>, the tale of a lost Portuguese film
Ana Sofia Pereira (CIDETH-ISCIA and Universidade Nova de Lisboa, Portugal) Panel 8 …
THEATRE
Chikovani – Modern Greek literature in cinema – film adaptations as study material
Ana Chikovani (Ivane Javakhishvili Tbilisi State University, Georgia) Panel 5 – ADAPTATIONS …
<strong>Yule – Back to the future:</strong> anachronic narratives in Harold Pinter’s screenplays
Eleanor Yule (Liverpool John Moores University, UK) Panel 5 – ADAPTATIONS Friday …
SVOD
<strong>Ianniello & Batty – Serial offenders?</strong><em> Defining the boundaries of series and serial television for screenwriting practice and theory</em>
Marco Ianniello (University of Notre Dame, Sydney, Australia) Craig Batty (University of …
Manninen – How to use viewer data to develop a second season of a drama series?
Katri Johanna Manninen (Aalto University, Helsinki, Finland) Panel 15 – DEVELOPMENT/CREATIVE PROCESS …
Phalen – The work of Hollywood television writers in the age of Netflix
Patricia Phalen (The George Washington University, Washington DC, USA) Panel 20 – …
TRANSMEDIA
<strong>Bermejo – Alternative forms of storytelling and its pedagogical application in children and teenagers:</strong> young people as creators
Laura Bermejo (Universidad Complutense de Madrid) Panel 6 – CHILDREN/TEENS/YOUTH Friday 3 …
TV SERIES
Barley – Writing challenging and boundary breaking female characters for British television drama series
Diane Barley (Leeds Beckett University) Panel 12 – FEMALE CHARACTERS Wednesday 8 …
<strong>Cotta Ramosino – Succession:</strong> Pushing the boundaries of family drama
Laura Cotta Ramosino (Catholic University, Milan, Italy) Luisa Cotta Ramosino (Catholic University, …
Hlobo & Skosana – The evolving depictions of black South Africans in post-Apartheid screenwriting tradition. Does our reality influence how we tell stories or do the stories influence how we see reality?
Ziphozakhe Hlobo (writer, editor and dramaturge, South Africa) Mpumelelo Skosana (University of …
<strong>Ianniello & Batty – Serial offenders?</strong><em> Defining the boundaries of series and serial television for screenwriting practice and theory</em>
Marco Ianniello (University of Notre Dame, Sydney, Australia) Craig Batty (University of …
<strong>Kajánková – Pushing boundaries of <strong>TV</strong> adaptation:</strong> queering Hannibal
Lucia Kajánková (FAMU, Prague, Czech Republic) Panel 13 – SERIAL TV DRAMA …
<strong>Klika – Comic characters with personality disorders:</strong><em> has their time arrived?</em>
Deborah T. Klika (Middlesex University, London, UK) Panel 14 – TV & …
Lehti – Experimenting with the virtual writers’ room and the democratic diamond
Timo Lehti (Aalto University, Helsinki, Finland) Panel 18 – PEDAGOGY Friday 17 …
Manninen – How to use viewer data to develop a second season of a drama series?
Katri Johanna Manninen (Aalto University, Helsinki, Finland) Panel 15 – DEVELOPMENT/CREATIVE PROCESS …
Matar – Obstacles for the worldwide distribution of Arab <strong>TV</strong> Narratives to the rest of the world
Motaz H. Matar (Zayed University, Abu Dhabi, United Arab Emirates) Panel 13 …
Phalen – The work of Hollywood television writers in the age of Netflix
Patricia Phalen (The George Washington University, Washington DC, USA) Panel 20 – …
<strong>Robles – Playwriting-like dialogue:</strong><em> a boundary for character complexity in drama series?</em>
Brenda Robles (Aalto University, Helsinki, Finland) Panel 11 – CHARACTERS Wednesday 8 …
Welch – The difficulties and delicacies of writing for the first female Doctor in 50+ years
Rosanne Welch (Stephens College, USA) Panel 15 – DEVELOPMENT/CREATIVE PROCESS Monday 13 …
Zágoni – Dynamic Character Traits <em>(<strong>DCT</strong>)</em>. Pushing further the boundaries of character design
Balázs Zágoni (Babes-Bolyai University, Cluj, Romania) Panel 11 – CHARACTERS Wednesday 8 …
VR & IMMERSIVE
<strong>Alves, Rubio Tamayo & Durán Fonseca – Screenwriting and Virtual Reality:</strong> renewing concepts and methodologies on narrative and spectatorship
Pedro Alves (Universidade Católica Portuguesa, Porto, Portugal) Jose Luis Rubio Tamayo (Universidad …
<strong>Dooley – Creating Impact:</strong> Scripting an immersive 360-degree documentary
Kath Dooley (Curtin University, Perth, Australia) Panel 2 – TECH 1 (VR, …
<strong>Leal – Narrating possibilities:</strong> the poetics of the interactive script
Rafael Leal (Pontifical Catholic University of Rio de Janeiro, Brazil) Panel 9 …
<strong>Nelson-Tabor – Storyframing:</strong> finding the holy grail of a formalised narrative language as a framework that can finally utilise <strong>VR</strong> technology
Jodi Nelson-Tabor (University of Greenwich, London, UK) Panel 2 – TECH 1 …
Soudhamini – An inner frontier. Screenwriting for Virtual Reality
Soudhamini (Deakin University, Melbourne, Australia) Panel 9 – TECH 2 (VR, IMMERSIVE, …