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Paolo Braga
The Italian Storytelling Approach to TV Seriality Compared to the US Method: A Case Study
Comunicazioni sociali, no. 3 (2019), 389-403
Raffaele R. Chiarulli
‘Strong Curtains’ and ‘Dramatic Punches’: The Legacy of Playwriting in the Screenwriting Manuals of the Studio Era
Communication & Society, 34, no. 1 (2021), 109-122
Rose Ferrell
Two Screenplays, One Writer, National Voice
The Palgrave Handbook of Screen Production, ed. Craig Batty, Marsha Berry, Kath Dooley, Bettina Frankham, and Susan Kerrigan. Cham, Switzerland: Palgrave Macmillan, 2019, pp. 61-74
Beth Johnson and Alison Peirse
Genre, Gender and Television Writing: The Problem of Pigeonholing
European Journal of Cultural Studies, 24, no. 3 (2021), 1-15
Deborah T. Klika
Caught in the Second Act: The Relationship between Film and the TV Sitcom
Comunicazioni sociali, no. 3 (2019), 372-85
Deborah T. Klika
Defining the Beats in the TV Sitcom
Script Development. Critical Approaches, Creative Practices, International Perspectives, ed. Craig Batty and Stayci Taylor. Springer International Publishing AG, 2021, pp. 205-18
Florian Krauß
From ‘Redakteursfernsehen’ to ‘Showrunners’: Commissioning Editors and Changing Project Networks in TV Fiction from Germany
Journal of Popular Television 8, no. 2 (2020), 177-94
Margaret McVeigh
Telling Big Little Lies: Writing the Female Gothic as Extended Metaphor in Complex Television
Journal of Screenwriting 11, no. 1 (2020), 63-80
Artem Prokhorov
Russian Web Series: Mastering the New Format
Journal of Screenwriting 12, no. 1 (March 2021), 25-37
Soudhamini
The CVR Narrative as a Moebius Strip
Journal of Screenwriting 11, no. 2 (2020), 175-89.
